Category:

Gardiens de Lumière (Set)

1 350,00 €

Edition Size 10
Dimensions Big sculpture :
31.50 cm (H) × 23.00 cm (W) × 13.50 cm (D)
12.20 in. (H) × 9.06 in. (W) × 5.12 in. (D)

Small sculpture :
21 cm (H) × 16.5 cm (W) × 9.5 cm (D)
8.27 in. (H) × 6.30 in. (W) × 3.54 in. (D)
Medium Handmade ceramic vase, hand-painted with acrylic paint, oil pastel and acrylic marker, finished with a matte sealant.
Year 2026
Authentication Edition number and artist’s signature on the bases, stamped by our art editor’s stamp. Each set arrives with a certificate of authenticity signed by the artist with our stamp.
Packaging Each sculpture is delivered in a custom-made box. All packaging is carefully designed and foam-lined to ensure the artwork arrives safely and securely.
Shipping Your sculpture will be delivered within one month.

We offer worldwide shipping. Please note that ARTEM is based in France; therefore, French VAT is applied only to orders shipped within France.

For shipments outside France, additional charges such as local VAT, import taxes, and customs duties may be levied by the destination country. These fees are not included in the purchase price and remain the sole responsibility of the buyer.
980,00 €
440,00 €

In stock

Description

Powerful, symbolic and striking : "Gardien de Lumière" (Guardian of Light) is presented as a collector’s set of two sculptural vases : "Gardien de Lumière" (Piccolo) and "Gardien de Lumière" (Grande). The work unfolds through a dialogue between two mirrored faces : the Eye, an ancient symbol of protection and a watchful anthropomorphic Sun.

Handcrafted in ceramic and individually hand-painted by the artist Anton Hasler, the small and large vase come together to form a powerful visual presence, designed to inhabit a space like contemporary totems.

Behind the scene

This pursuit of coherence is reflected in a mixed-media approach that underscores the breadth of the artist’s practice. Acrylic, oil pastel and marker converge to articulate layered visual languages. Precise linework affirms the clarity of symbol, while softened, diffused passages introduce movement and breath. The resulting tension between definition and blur becomes a metaphor for perception itself : an attempt to reconcile fragmentation through a unified, contemplative vision.

ANTON HASLER

Anton Hasler (b. 1988, Switzerland) develops an animistic pictorial language inhabited by hybrid figures ; at once human, spectral and allegorical ; suspended within liminal terrains where dream and reality converge. His compositions unfold as symbolic ecosystems, dense with iconographic fragments and subtle citations drawn from art history, assembled through a consciously syncretic methodology.

Hasler’s practice operates at the intersection of mediums. Airbrush gradients and digital drawing converge with oil painting and processes such as digital printing, generating surfaces that oscillate between the tactile and the immaterial. This productive tension between material presence and virtual construction situates his work within a distinctly hybrid, post-digital aesthetic.

Within these oneiric landscapes, Hasler probes the condition of humanity in the Anthropocene. By dissolving stable coordinates of time and space, he constructs open narrative fields that resist linear interpretation and instead invite the projection of personal mythologies and collective imaginaries.

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